文学意象的视觉拓展——《详注聊斋志异图咏·恒娘》中插图的艺术分析
作者:
作者单位:

南京财经大学外国语学院

作者简介:

王小娜,女,讲师,主要研究方向为中外文学、绘画与名物。

通讯作者:

中图分类号:

J218.5

基金项目:


The Visual Expansion of Literary Images: The Artistic Functional Analysis of the Illustration from Detailed Notes on the Pictures in Strange Stories from a Chinese Studio·Hengniang
Author:
Affiliation:

Nanjing University of Finance and Economics, School of Foreign Language

Fund Project:

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    摘要:

    晚清时期的《详注聊斋志异图咏》,其插图采用了中国传统的书画形式,为明清插图中的上上品。本文以其《恒娘》插图为例,论证图文结合所能开拓的文学欣赏、批评的新途径。画家从传统和历史文本中吸取资源,使用绘画中的艺术元素,借助其所代表的文学意象和道德训喻,把对小说的解读、人物和情节构建在一副画面里,对文学意象做了令人叹服的视觉拓展,大大扩展了文学赏析和批评空间。

    Abstract:

    As an important part of ancient cultural resources, image illustrations are of great significance in the literature research, literary research and aesthetic research of the text. In the late Qing Dynasty, the illustration of Detailed Notes on the Pictures in Strange Stories from a Chinese Studio·Hengniang adopted the traditional Chinese calligraphy and painting form. Taking the pictures of Hengniang as an example, this paper demonstrates a new way of literary appreciation and criticism that can be developed by combining pictures with texts. The painter draws resources from the traditional and historical texts, uses the artistic elements in the painting. Mean? while, with the help of the literary image and moral metaphor represented by it, the painter constructs the inter? pretation of the novel, the characters and the plot in a picture, makes an impressive visual expansion of the liter? ary image, which greatly expands the space for literary appreciation and criticism.

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  • 在线发布日期: 2023-03-23
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